I’ve been admiring the work of printmakers since I was a small girl and this summer’s project emulates three people whose work has influenced me. I’ve been collecting samples of the work of Andrea Lauren lately. She does small, two color prints using two separate blocks.
Andrea uses two separate blocks and prints one over the other.
You could cut a block into more pieces as well and ink each piece separately. That’s what Woody Jackson did early in his career when he started cutting up zinc etching plates, inking each piece, and putting them back together like puzzles before printing.
I’ve loved Mary Azarian’s work since I was a teenager. Her hand-colored woodcuts of Vermont scenes and her illustrated books influenced my illustration work enormously.
I am teaching at Hollins University again this summer-this time I designed a course called Printmaking for Illustration. To make a sample for my students I used all three of my printmaking idols as inspiration.
My new puppy Rufus has a foxy look similar to Andrea’s print, so I chose one of the dozens of reference photos I have and started designing my own two color linocut.
I decided to use one block and cut it apart into two pieces-Woody Jackson style-right around Rufus. That made getting perfect registration a breeze.
I start by coating the “inside” cut-out of Rufus in black ink with a rubber brayer.
Then I mixed a yellow and a dark green and used them both to ink the grasses on the “outside” block. Sometimes the two colors mixed on the brayer, but I didn’t care-I wanted each print to be one of a kind.
I placed both parts of the inked up block into a custom cut cardboard jig, or frame, to hold them steady, then laid my paper on top.
To make a print I’m merely rubbing the back of the paper firmly with an ordinary wooden spoon. I keep it fairly parallel to the paper so that it presses evenly and doesn’t rip this delicate sheet.
I made a small edition of 20 prints using 2 colors of oil based ink.
When these are dry I’ll hand color each one with watercolors, making them truly one of a kind, just like Mary Azarian does.
Three printmakers-four counting me-all different but with so much in common!
3 thoughts on “Making my ‘Rufus in the Tall Grass’ print, with the help of three experts.”
Really lovely, Ashley! What kind of paper are you using that is appropriate both for printing and for watercolor? 🙂 e
thanks, E! I made this edition on Washi paper. The watercolor spreads a little more unpredictably than it does on Arches, but that works for this print.