Joining the team at the 2018 Tunbridge World’s Fair

Teamwork is everything in my business of creating picture books. The author/illustrator team, the author/editor team, the illustrator/art director team, all of the above, plus the marketing team, bookstores, librarians, teachers, parents, grandparents–ALL of us are on the same team–to get good books into the hands of children.

So imagine my pleasure when I was asked by Robert Howe, Tunbridge Fair’s postermeister, to join his team and design the official poster for 2018. The theme is Celebrating Working Teams.

Of course the word Team can mean something different at the fair, but I still took it as a good omen.

The 1st time I went to the Tunbridge World’s Fair was with my parents, back in the early 1970s. We camped at a friend’s farm in nearby Chelsea and drove over to the fair, always held the 1st weekend after Labor Day. In those days there were still girlie shows at this and other Vermont Country fairs.

The Tunbridge World’s Fair was, and still is, a genuine agricultural experience, set in a lovely, narrow river valley.

There are horses, cattle and sheep, pigs, chickens, goats and rabbits proudly on display.  There is a midway with rides and game booths, and all the greasy, sweet fair food you could want.

Nowadays, I go to draw the animals and the people.

So it was no surprise that the poster I chose to design featured both.

I was lucky to be given excellent reference photos by two fair photographers: Nancy Cassidy and Mark Dixon. Drawing from elements of these and my own research material, I created a rough sketch.

Photo by Nancy Cassidy

photo by Nancy Cassidy

photo by Mark Dixon

Once I had a B&W linoleum print,  I painted it with gouache, layered a little painted carousel onto the girl’s tee, and added text in Photoshop.

I began by trying to match this old-timey font, found in the background of a photo, as my poster display type, but it didn’t enhance the finished artwork so I switched to Linolschrift for the finish.

The last adjustment was to eliminate the “gap tooth” on the little girl. The consensus was that it made her look a little too young.

I’m pleased with the finished product. I hope 2018 fair goers are too!

 

 

Channeling Sam Cannon

While looking for something else I discovered Sam Cannon’s artwork and fell in love with his imagery and calligraphy. His eloquently realized animals, with beautifully hand-lettered quotations, spoke to a desire in me to do likewise. His tiny Petal Paper originals were particularly appealing.

When I looked into channeling his style I found I was fresh out of Petal Paper, so I just made my own version by wetting watercolor paper and painting  loose leaves and flowers.

Using these backgrounds as inspiration, I added figures and quotes that particularly resonated with me, keeping faithfully to Sam Cannon’s style.

As the paintings developed I added more leaves, flowers and stems around the figures and calligraphy, making the most of my watercolors.

I love the distinctive Sam Cannon ‘font’ and line arrangement. I experimented with different tools for the calligraphy.

I tried a more traditional opaque gouache approach with the dip pen on brown paper for this garden painting.

My favorite Thoreau quote is painted with white ink and a brush on the woodpile. These chilly chickadees are drawn from the flocks right outside my window here in Vermont.

I am using Schminke Aqua Bronze Rich Gold and Silver gouache to paint the metallic accents.

I learn by copying and experimenting and evolving. I hope to keep moving ever further from copying Sam and more into being entirely me.

As always, you can find my work for sale at my Etsy shop.

 

There’s a Fungus Amungus

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There are mushrooms EVERYWHERE! Days of rain here in northern New England have produced a sprouting, thrusting crop of fungus, some of them edible and choice.

Though I haven’t spotted any Chanterelles, like the ones Pumpkin is picking.

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The shapes and colors of mushrooms make them fun to draw and paint. I have probably drawn them my whole life.

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Lately I’ve been imagining them as tiny, secret houses.

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You can own your own, hand painted mushroom cottage here.

Happy Hunting!

B&W Gouache Resist 101

Gouache resist is kind of magic.

To make a black and white image you need to block out everything BUT the areas you want to remain black using solid white gouache.

I begin with a pencil drawing on trace. Then transfer it to sturdy, smooth,

watercolor paper. You need something that can stand up to being wet and rubbed a little.

close up of the thickish white gouache on paper. The lighter areas are unpainted paper.

Once the gouache is “dead” dry, use a wide foam brush to apply undiluted India Ink to the whole piece. The ink fills in every area of unpainted paper, dying it an indelible black.

The white gouache design is still visible under all the ink

washing the white gouache off  a different piece.

Once the paint is removed the design, originally painted in white gouache,

is revealed…

Magic!

A few other  examples of B&W gouache resist images.

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