Teaching Linoleum Block Printing in Vermont

This winter Middlebury Studio School invited me to teach a linoleum block printing class.

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One block, carved and cut apart into 4 pieces. The artist separated the pieces, inked each piece in a different color, reassembled them, and printed them as one piece.

I chose Blick Readycut blocks for our projects because it is easy to carve. I wanted to the students to try making a multiple color print, like the one above, using just one block cut into pieces in order to prevent registration problems.

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I prepared for the class by doing another two color print of one of my favorite subjects: Dogs.

Even though I planned this to be a two color print,  I carved it all as one piece. It is much easier to cut it apart later.  Carving the words became very tricky- probably because my design didn’t leave them enough room.

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I often trim off any excess block beyond the design if I don’t want to bother carving it all out.

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Once the block was completely carved I used an exacto knife to cut it apart into two pieces.

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After my students created a design, reversed it and transferred it to their blocks, they began carving away any part of the block that they DIDN’T want to show in their print.

Once the block is carved and cut apart, each piece is inked using a brayer. The paper is laid gently on top of the inked block and the back of the paper is rubbed with a hard smooth object-such as a spoon or baren.

Finally comes the Ah Ha moment when the paper is pulled and the finished print revealed.

In the end my dog print was only a partial success. The carved quote part was a mess so I discarded it and added some hand lettering instead. Hand adorned giclee prints available here.

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For our last meeting I brought in large, cotton tea towels that could be printed using the blocks carved during the class. There were no rules but this was one beautiful and orderly result.

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Joining the team at the 2018 Tunbridge World’s Fair

Teamwork is everything in my business of creating picture books. The author/illustrator team, the author/editor team, the illustrator/art director team, all of the above, plus the marketing team, bookstores, librarians, teachers, parents, grandparents–ALL of us are on the same team–to get good books into the hands of children.

So imagine my pleasure when I was asked by Robert Howe, Tunbridge Fair’s postermeister, to join his team and design the official poster for 2018. The theme is Celebrating Working Teams.

Of course the word Team can mean something different at the fair, but I still took it as a good omen.

The 1st time I went to the Tunbridge World’s Fair was with my parents, back in the early 1970s. We camped at a friend’s farm in nearby Chelsea and drove over to the fair, always held the 1st weekend after Labor Day. In those days there were still girlie shows at this and other Vermont Country fairs.

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The Tunbridge World’s Fair was, and still is, a genuine agricultural experience, set in a lovely, narrow river valley.

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There are horses, cattle and sheep, pigs, chickens, goats and rabbits proudly on display.  There is a midway with rides and game booths, and all the greasy, sweet fair food you could want.

Nowadays, I go to draw the animals and the people.

Gabby and the Girls

So it was no surprise that the poster I chose to design featured both.

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I was lucky to be given excellent reference photos by two fair photographers: Nancy Cassidy and Mark Dixon. Drawing from elements of these and my own research material, I created a rough sketch.

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Photo by Nancy Cassidy

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photo by Nancy Cassidy

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photo by Mark Dixon

B&Wprint

Once I had a B&W linoleum print,  I painted it with gouache, layered a little painted carousel onto the girl’s tee, and added text in Photoshop.MGRTYPEgaptooth_1

I began by trying to match this old-timey font, found in the background of a photo, as my poster display type, but it didn’t enhance the finished artwork so I switched to Linolschrift for the finish.

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The last adjustment was to eliminate the “gap tooth” on the little girl. The consensus was that it made her look a little too young.

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I’m pleased with the finished product. I hope 2018 fair goers are too!

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7 Important Reasons Why: Color, Light, Line, Texture, plus Denise, Ashley, Food!

I am so excited to be teaching an art workshop this spring: April 21-23.

The wildly talented Denise Fleming

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portrait of Denise Fleming with gelli print block in the Highlights Barn Studio

and Ashley Wolff

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portrait of Ashley Wolff prepping a gouache resist piece in the Highlight Barn Studio

have put together an art immersive weekend called the Color, Light, Line and Texture Hands-On Workshop.

It is one of the entertaining and educational programs the Highlights Foundation supports at their beautiful Pocono Mountains location.

highlightsYou DON’T need to be an  “Artist” to join this workshop. You can register here right now.

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‘Not an artist’ made this collage last spring

You don’t need to feel confident drawing, painting, or coloring in the lines.

You DO need to have a love of tackling something new, and you have to be attracted to this:

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COLOR

 

and this:

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LIGHT

and this:

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T E X T U R E

and this:

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L I N E

Join us for 3 days and 3 nights of playing and getting deeply involved with color, light, texture and line!

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The venue will be the Barn at Boyd’s Mills, 10 miles from Honesdale, PA. You’ll sleep in beautifully appointed cabins, dine on fantastic food at every meal and be entertained round the clock with lessons, games, surprise guest speakers, and a field trip.

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I’ll be leading photography rambles and you can wander the pretty spring woods and pastures, so bring your camera and sketchbook.

Register here for a fun time!

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