Watercolor 101

I love teaching the Weird, Wonderful ways of Watercolor.

 

Cool vs Warm

Pthalo vs Ultramarine

Primaries,  secondaries, tertiaries, complements

and a huge variety of grays

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A brush charged with  water can lift a clean line or destroy a wash

A spray of rubbing alcohol doesn’t make a dent on a dry wash, but drip it onto wet paint and you have fantastic, blobby bullseyes.

A sprinkling of salt makes “stars” on a damp night sky.

Crumpled plastic wrap makes blocks and angles

Your smooth, even wash depends on keeping a wet ‘bead’ moving along under your brush.

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Glazing color over color makes every possible combo, yet all you really need to make a whole spectrum are

Red                                                           Yellow                                                               Blue

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How I Paint with Gouache in my Brown Paper Sketchbook

A friend asked me to do a step-by-step on my sketchbook painting technique.

The point was made that one rarely sees the underlying drawing or the build up of paint in an artist’s work–just the finished product. I have posted step-by-steps of my niece’s murals and cottage cards, so here goes another.

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I drew the pony with a 3H pencil. It is hard and light and good for the underlying sketch.

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Using gouache as if it were watercolor, mainly burnt sienna and cobalt blue, I added the 1st set of darks.

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I use a smallish palette of colors, mainly primaries. I love gouache because it works well both transparently and opaquely.

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Using cobalt blue and yellow ochre I filled in a background.

Pony_3

The pony’s spots seemed kind of flat, so I washed some orange over them and added darkest darks using  a small liner brush with indigo and burnt sienna.

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